Wednesday, August 22, 2007

Stele of Vultures


Title: Victory Stele of Eannatum (Stele of Vultures)
Essential Image: No
Artist: Unknown
Year: 2600-2500 BCE.
Orgin: From Girsu (modern Telloh), Syria
School/Time Period: Sumarian
Size: Full Stele approx. 5' 11'' high
Medium: Limestone
Main Point #1: A historical narrative used to glorify king and army
Main Point #2: Hierarchy of scale suggests that king is more important than army

Votive Statuettes

Title: Statuettes of Worshipers
Essential image: No
Artist: Unknown
Year: 2700 BCE.
Orgin: Square Temple at Eshnunna (modern Tell Asmar), Iraq
School/time period: Sumerian
Size: Varies, from 1' - 30"
Medium: Gypsum inlaid with shell and black limestone
Main Point #1: The statues represent mortals with their hands folded in front of their chests in a gesture of prayer.
Main Point #2: The eyes are very important. The purpose of these figures was to offer constant prayers to the gods on their donors' behalf. The open-eyed stares most likely symbolize eternal wakefulness.

Warka Vase


Title: Warka Vase
Essential image: Yes
Artist: Unknown
Year: 3200-3000 BCE.
Orgin: Uruk (Modern Warka), Iraq
School/Time Period: Sumerian
Size: 3' 1/4'' high
Medium: Alabaster
Main Point #1: The first great work of narrative relief sculpture known.
Main Point #2: Shows a religious festival in honor of the goddess.
Essential Image info- The vase is divided into three bands, also known as friezes or registers. This was a break from the from the figure placement in earlier art. Artists use registers to tell a story. The lowest band shows ewes and rams, with crops and flowing water below them. The alternating male and female animals represent fertility, and the crops represent the blessing that Inanna had blessed them with. In the center band, it shows a procession of men carrying offerings to the goddess. These men are a composite of frontal and profile views, with large frontal eyes with a profile head. The way the artist shows the eyes is considered as a technique called conceptual, opposed to optical. The uppermost band illustrates a "goddess" wearing a horned headdress and a man referred to as the "Priest-king". The vase shows a man carrying a large basket full of offerings to the woman, commonly referred to as Inanna. Inanna and the Priest-King are noticeably taller than the offering bearers, which shows their greater importance (Hierarchy of Scale).